I am an interdisciplinary artist working at the intersection of painting and the moving image. Through an ongoing exploration into the adjacencies of painting and film, I construct works that engage with complex histories and contested spaces. 

My recent short film, TAT (2025), examines how the physicality of film and the spatial arrangement of sounds can evoke forgotten narratives, specifically, the voices of patients from a state mental institution prior to 1962. This experimental short reconstructs lost expressions into a filmic space that resists erasure. 

My current series of paintings, Airplants (2025) and Houseplants (2024), explore the male figure within the physical and psychological confines of suburbia. These works consider themes of masculinity, domesticity, and the tension between suburban myth and actuality, using the familiar as a site for reflection and interrogation.